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10 Questions With…Sophie Flack
This week on “10 Questions With…” we’re featuring Sophie Flack, author of “Bunheads”… a book about the ballet world. I’m reading it right now, and it’s fabulous!
1. How did you get involved in dance?
When I was seven, the Boston Ballet studios were under renovation and they temporarily relocated to my school gymnasium. I’d see these lithe ballerinas lingering in the hallways as they stretched and spoke to one another between rehearsals. I begged my mother to take ballet classes, but I was too shy to walk into theclass that first day. I wanted my mother to go with me. It took me six months to find the courage to walk in alone.
2. What is your dance background?
I began my training at the Boston Ballet School learning the Vaganova technique. When I was eleven I was introduced to the Balanchine technique by Patricia McBride at the Chautauqua summer intensive. After watching a video of McBride dancing Tchaikovsky Pas de Deux, I decided that I wanted to dance with the New York City Ballet, because I wanted to move like she did.
When I returned home, I transferred to Ballet Workshop of New England in order to study Balanchine technique. I spent my summers training with Suzanne Farrell, Gloria Govrin, Violette Verdy and Patricia McBride.
My mother would drive me to New York City in order to take private lessons with Nancy Bielski and Wilhelm Burmann, some of the best coaches in the country. I took open classes at Steps on Broadway alongside New York City Ballet dancers, and regular Pilates privates with Laurie Hurt.
At fifteen, I was accepted into the School of American Ballet on full scholarship and moved to New York City alone. At age seventeen, I joined the New York City Ballet as an apprentice and became a member of the corps de ballet the following year.
After dancing with the New York City Ballet for nine years, I retired from professional dance in 2009.
3. What is your book about, and who is it written for?
Review: Modern Ballet Studio Melodies, Volume 3
Yet another ballet class music CD by Christopher Hobson, and it does not disappoint. Modern Ballet Studio Melodies, Volume 3 has more of the excellent quality music that I have come to expect from his albums. Again, this CD is filled with unique arrangements of familiar music, such as “The Way We Were”, “Rehab”, “Misty” and more.
There are 17 tracks for the barre and 36 for the centre. Frankly, I think that owning all three of these CDs would be a great idea for any ballet teacher or studio owner. They add a bit of spice and verve to the class environment without being silly. It’s nice to change things up a bit here and there.
If you can’t have a live pianist, it pays to invest in good music that you will be able to use again and again. This CD of ballet class music qualifies–and it is available in the UK (as well as other places…see link below) – something that I get requests for all the time.
It’s obvious that Hobson plays for dancers. Not every pianist can arrange music so that it is paced correctly without taking the life out of it. He is able to maintain passion and energy while keeping proper time for the exercises. Well done indeed.
Keep an eye on what’s up with Christopher Hobson and his music by joining him on Facebook
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If you like, purchase Modern Ballet Studio Melodies, Volume 3 here.
0Review: Modern Ballet Studio Melodies, Volume 2
I reviewed Volume 1 of Modern Ballet Studio Melodies recently on the site and gave it a big “thumbs up”. This CD, Modern Ballet Studio Melodies 2 is another good choice if you are hoping for ballet class music that is different from the typical fare.
Again breaking out of the traditional box, Christopher Hobson puts out renditions of familiar songs such as “Oh, What a Beautiful Mornin’”, “The Swan, from Carnival of the Animals”, “I Got Plenty O’ Nuttin”" and even the “Mexican Hat Dance”! Treat yourself to lovely arrangements of these favorites and spice up your ballet class a bit without taking things over the top.
Hobson is obviously a top-tier player, and he also has experience arranging and playing classical piano music for the ballet class. This is an important factor, and the tunes here work well for both barre and centre exercises. The barre has 18 tracks to choose from, including staples such as plie, tendu, round de jambe and grand battement, and the centre offers a lovely adage, as well as pirouettes, jumps and several allegros to choose from.
All in all this is really a successful CD, and it is available in the UK, which, from what I’ve heard has a dearth of good ballet class music out on the market. I really enjoyed both this CD and the previous one. There’s one more coming up–so stay tuned (argh!) to hear what that one has to offer in the coming weeks.
If you like, you can buy Modern Ballet Studio Melodies Volume 2 here.
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A Few Fun Dance Gifts…
Today I’d just like to share a few cute dance gifts with you…two darling dance books and a fun mug. Gwendolyn The Graceful Pig is a sweet book for kids–it’s hardcover–something they’ll read again and again.
This site also offers a mug to go with it…Gwendolyn appears on an unbreakable, lightweight, 11 oz. plastic cup. It’s dishwasher and microwave safe.
Finally, Soldiers of Beauty combines poetry and dance artwork–extremely pretty!
Do you know of any dance gifts out there that you can share with 4dancers readers? Please do tell…
3Review: Modern Ballet Studio Melodies, Volume 1
This CD, Modern Ballet Studio Melodies, Volume 1, came highly recommended by a fellow dance professional, and it’s easy to see why. The piano music is excellent–and different. You will hear renditions of favorites such as “Summertime”, “Hernando’s Hideaway”, “Some Day My Prince Will Come” and “Somewhere Out There” – but they avoid the “cheesy” factor that is so often a part of this type of translation for ballet class music.
Instead, the tracks are easy and fun–as well as expertly played. Christopher Hobson is at the helm here, and he began training at age 4. He has experience working with dance schools, which is obvious by the arrangements here, which are metered, without being dull. His background includes working for Northern Ballet Theatre, Birmingham Royal Ballet and the Liverpool Institute for the Performing Arts.
The intent of the CD is to add variety to the ballet class repertoire, which it does quite successfully. I am located in the US, but have had many UK dance teachers ask me for recommendations in their area in terms of ballet class music. I would pass this CD along without hesitation as something that would be fun to use for a welcome change of pace. There is both barre and centre music, and the quality of the recording is very good–another rarity in this type of CD–although I will admit it has been improving overall as a genre.
If you are searching for something fun to add to your collection as a dance teacher or dance studio, this is a good pick. Here are the particulars:
If you are interested, you can purchase Christopher Hobson’s Modern Ballet Studio Melodies, Volume 1 here.
0Review: Carla And Leo’s World Of Dance
Quite frankly, this is an amazing book. Created by a former fashion model and dancer and designed for children ages 8 to 12, “Carla and Leo’s World of Dance” is well written and beautifully illustrated.
The book tells the story of best friends, Leo and Carla, who take classes at a dance studio. They sample everything from swing to foxtrot to tango. Throughout their journey, the reader learns about the history and background of each dance style as their teacher, Miss Paulina teaches them.
The book is visually engaging from the moment you see it. The cover features a darling picture of Carla and Leo dancing together, and he has sparkles on his tie while she has them dotted throughout her skirt–a detail you can’t see from the photo.
Thierry Perez is the illustrator, and he is nothing short of amazing. Every picture is imaginative and skillfully drawn–the book is really a feast for the eyes. It’s the kind of thing that as a child I would have cherished, and looked at again and again.
Author, Agatha Relota has done a wonderful job of capturing her love of dance here–it’s contagious. She strikes a nice balance between educating the reader and sharing the excitement of discovering dance for the first time. I also appreciated the fact that she chose something other than ballet to highlight, as so many dance books limit themselves to that as subject matter. This one exposes kids to a wide range of styles and teaches them what countries they hail from as well. You can tell a great deal of thought went into the format. Also, Relota’s friend, Jessica Alba penned a forward for her–something that was a bit unexpected, yet interesting.
If you are looking for a terrific dance book, “Carla and Leo’s World of Dance” is as good as they come. I wish I had something this cool when I was a 10-year-old girl.
It’s stunning.
You can purchase this book on Amazon.com.
0Review: Michael Jackson, The Experience – XBOX 360 Kinect
*Note: This XBOX 360 game requires a Kinect sensor in order to play
If you love Michael Jackson’s dance moves, now you have the opportunity to learn them. This XBOX 360 Kinect game, Michael Jackson, The Experience, features his actual choreography, as well as the chance to sing along with the music if you are so inclined. One of my favorite parts of this game was the stage backgrounds for the different songs. They were fun!
There are plenty of great MJ songs here to choose from, including Billie Jean, Smooth Criminal and Bad. To me, one of the things that makes this game is the fact that you are actually on-screen with the group, thanks to the advances with Kinect technology. It never ceases to amaze me how far we’ve come these days.
This game is a good one to play with friends, as there is a multi-player option, and other cool features include the opportunity to star in your own Michael Jackson video and “Michael’s Dance School”.
I’d be hard-pressed to say whether younger dance fans would find this game as fun as I did, since they are so used to this type of technology…but I enjoyed the chance to try my hand at the “King of Pop’s” moves. I’ve long been a fan of his dancing and thought the game was a good time. I will say that I had no difficulty picking up the dance steps, but hesitate to make a blanket statement about them being simple since I have a dance background.
The real value in this XBOX game is the fact that you can learn the actual choreography. Michael Jackson had some pretty smooth moves, and I always loved to watch him dance. It was cool to break the movements down and do them myself.
If you’ve played this game, I’d love to hear your thoughts…
Review copy courtesy of Ubisoft
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CD Review: Music for Ballet Class III
Mediaphorie has added another excellent ballet class music CD to their lineup with their latest – “Music for Ballet Class III” (Musique pour le Cours de Danse Classique).
It’s lovely to have original music to use, and this collection fits the bill. The tracks are expertly played by pianist and composer Ellina Akimova, who plays in France for the Ballet School of the Paris National Opéra, as well as the CNSMDP, at the CND, and at the Danse school of the conservatoire of the XVIIe district of Paris.
There is nothing quite like taking class with an accomplished pianist providing accompaniment, and if you can’t have live music, this is the next best thing. The phrasing is perfect, and the musical choices suit the exercises in a way that only someone who knows ballet well could choose, with perky music for tendus and a pretty selection for plies. Everything is well-matched.
The complexity of some of the tracks here make me lean toward recommending this CD to teachers with more advanced students. Some of the slower pieces may be a bit difficult for brand new students in terms of using the phrasing properly for movement. Advanced students will appreciate the opportunity to get into the spirit of things and practice their musicality. Akimova’s Russian roots shine through in her music, making the selections all the more beautiful.
This album features repeated tracks for easy instruction at the barre. There is a complete class here–barre and centre, with music for pointe and for tracks geared toward men.
This is what happens when you have an expert pianist at the helm–I can recommend this CD easily for ballet class. It would make a great addition to any teacher’s collection. The cost is $30, and you can find it, as well as other ballet music on Mediaphorie’s site.
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