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	<description>A blog for dancers, dance teachers and others interested in dance</description>
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		<title>Book Review: Facts and Fancies, Essays Written Mostly For Fun</title>
		<link>http://www.4dancers.org/2013/05/book-review-facts-and-fancies-essays-written-mostly-for-fun/</link>
		<comments>http://www.4dancers.org/2013/05/book-review-facts-and-fancies-essays-written-mostly-for-fun/#comments</comments>
		<pubDate>Mon, 20 May 2013 16:03:22 +0000</pubDate>
		<dc:creator>4dancers</dc:creator>
				<category><![CDATA[Books & Magazines]]></category>
		<category><![CDATA[dance book]]></category>
		<category><![CDATA[facts and fancies]]></category>
		<category><![CDATA[martha graham]]></category>
		<category><![CDATA[paul taylor]]></category>

		<guid isPermaLink="false">http://www.4dancers.org/?p=9378</guid>
		<description><![CDATA[by Emily Kate Long Fact and Fancies, Essays Written Mostly for Fun Paul Taylor with foreword by Robert Gottleib, introduction by Susanne Carbonneau Delphinuim, 2013 165 pages Paul Taylor’s writing is packed with wit and quirk. The pieces in this collection range from poetically reverent to ridiculously ironic, often within the span of just a [...]]]></description>
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		<title>Opus 7: The Once and Future Arvo Pärt, Part II</title>
		<link>http://www.4dancers.org/2013/05/opus-7-the-once-and-future-arvo-part-part-ii/</link>
		<comments>http://www.4dancers.org/2013/05/opus-7-the-once-and-future-arvo-part-part-ii/#comments</comments>
		<pubDate>Sat, 18 May 2013 13:00:07 +0000</pubDate>
		<dc:creator>4dancers</dc:creator>
				<category><![CDATA[Making Dances]]></category>
		<category><![CDATA[Music & Dance]]></category>
		<category><![CDATA[Music Notes]]></category>
		<category><![CDATA[arvo part]]></category>
		<category><![CDATA[choreography]]></category>
		<category><![CDATA[composers]]></category>
		<category><![CDATA[liszt]]></category>
		<category><![CDATA[music for dance]]></category>

		<guid isPermaLink="false">http://www.4dancers.org/?p=9372</guid>
		<description><![CDATA[by Allan Greene (Read part one of this series here) Part&#8217;s works and his crises Arvo  Pärt (pronounced “pair-t”), the contemporary classical composer, insists, as recorded in Arvo Pärt in Conversation (Enzo Restagno, et al., 2010), that in contrast to whatever anybody else takes away from his highly spiritual compositions, he is driven by technical [...]]]></description>
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		<title>Opus 7: The Once and Future Arvo Pärt, Part I</title>
		<link>http://www.4dancers.org/2013/05/opus-7-the-once-and-future-arvo-part-part-i/</link>
		<comments>http://www.4dancers.org/2013/05/opus-7-the-once-and-future-arvo-part-part-i/#comments</comments>
		<pubDate>Fri, 17 May 2013 15:45:38 +0000</pubDate>
		<dc:creator>4dancers</dc:creator>
				<category><![CDATA[Making Dances]]></category>
		<category><![CDATA[Music & Dance]]></category>
		<category><![CDATA[Music Notes]]></category>
		<category><![CDATA[arvo part]]></category>
		<category><![CDATA[ballet music]]></category>
		<category><![CDATA[franz liszt]]></category>
		<category><![CDATA[music for dance]]></category>
		<category><![CDATA[music for making dances]]></category>

		<guid isPermaLink="false">http://www.4dancers.org/?p=9363</guid>
		<description><![CDATA[by Allan Greene Let me get this out right up front: if you go for Arvo Pärt, you&#8217;ll love the late works of Franz Liszt. I&#8217;ve played and loved the late Liszt since I was kid.  It was in the late Sixties on a trip into Manhattan to the old Schirmer&#8217;s that I found a [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Book Review: Dancing Between The Ears</title>
		<link>http://www.4dancers.org/2013/05/book-review-dancing-between-the-ears/</link>
		<comments>http://www.4dancers.org/2013/05/book-review-dancing-between-the-ears/#comments</comments>
		<pubDate>Tue, 14 May 2013 13:00:44 +0000</pubDate>
		<dc:creator>4dancers</dc:creator>
				<category><![CDATA[Books & Magazines]]></category>
		<category><![CDATA[Teaching Tips]]></category>
		<category><![CDATA[dance book]]></category>
		<category><![CDATA[dance teaching tips]]></category>
		<category><![CDATA[dancing between the ears]]></category>
		<category><![CDATA[debra webb rogers]]></category>

		<guid isPermaLink="false">http://www.4dancers.org/?p=9347</guid>
		<description><![CDATA[by Emily Kate Long I had high expectations just reading the title of Debra Webb Rogers’ Dancing Between the Ears: accessing a dancer’s mind is the key to unlocking the potential of the body. Aimed at students, teachers, and professional dancers, this book does not disappoint. Over one hundred pages of ideas and images are [...]]]></description>
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		<slash:comments>4</slash:comments>
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		<title>Ballet &#8212; How Hard Should It Be?</title>
		<link>http://www.4dancers.org/2013/05/ballet-how-hard-should-it-be/</link>
		<comments>http://www.4dancers.org/2013/05/ballet-how-hard-should-it-be/#comments</comments>
		<pubDate>Thu, 09 May 2013 13:00:32 +0000</pubDate>
		<dc:creator>4dancers</dc:creator>
				<category><![CDATA[Dance Wellness]]></category>
		<category><![CDATA[Ballet]]></category>
		<category><![CDATA[dancers]]></category>
		<category><![CDATA[dancing]]></category>
		<category><![CDATA[janet karin]]></category>
		<category><![CDATA[working hard]]></category>

		<guid isPermaLink="false">http://www.4dancers.org/?p=9317</guid>
		<description><![CDATA[Our guest contributor for this posting is Janet Karin, OAM, currently on the faculty of the Australian Ballet School as Kinetic Educator.  Janet is a former principal dancer with The Australian Ballet, and also directed a ballet school / youth dance company in Canberra, Australia.  She has a distinguished career not only as a dancer, [...]]]></description>
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